Death To Leeches
by Phobia
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credits
released February 10, 2023
Shane the pain / vokill
Ray Banda/ Drums
Bruce reeves/ guitar
Hector Gonzalez bass
Recorded at Trench Studios
Engineered by Jon Haddad in Corona, CA
Mixed by Jason Roberts
Video By Jason Roberts
Written by Shane the Pain
Shane the pain / vokill
Ray Banda/ Drums
Bruce reeves/ guitar
Hector Gonzalez bass
Recorded at Trench Studios
Engineered by Jon Haddad in Corona, CA
Mixed by Jason Roberts
Video By Jason Roberts
Written by Shane the Pain
license
all rights reserved
tags
about
Phobia California
Formed in Orange County California in 1990, Phobia has been punishing ears with their murderous sociopolitical grinding noise assault for a full decade. Dealing out their savage combination of the energy and ideals of hardcore punk mixing it with the power and brutality of early grind, Phobia has shared the stage with a diverse mix of bands over the years such as Chaos U.K, Grave, & Napalm Death. ... more
discography
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Feb 2023 -
Aug 2019 -
Jun 2017 -
Jun 2016 -
Oct 2014 -
Jun 2012 -
Oct 2008 -
Mar 2006 -
Jun 2016 -
May 2016 -
May 2016 -
Nov 1997
contact / help
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supported by 5 fans who also own “Death To Leeches”
Shame on me, I missed this for too long.. This is some dark blackened doom/sludge. The riffs are heavy as fuck and the vocals are creepy like the voice of the Witch-King of Angmar. These are the Wartunes of the Orcs.
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by TZOMPANTLIsupported by 5 fans who also own “Death To Leeches”
Fantastically brutal, slow headbangy groovy goodness.
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by Transcending Obscurity Recordssupported by 5 fans who also own “Death To Leeches”
man, I better get laid in those shorts...
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Rake Me Over The Coals Tonight
by High MarksBeautifully punishing minimalist goth-industrial on the latest from High Marks—distortion-caked and delightful.
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supported by 5 fans who also own “Death To Leeches”
Love the vibe of this project as a whole. SUPER depressed angry music which relies heavily on sound clips and audio collage is my jam especially in sludge. Feels like a more deprived and crusty version of Through Silver in Blood. Either way, the balance between the audio collage and more tradition crust/sludge sections is perfect and leaves me satisfied every time I listen (which is a lot)
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